The beginning of an abstract painting is actually very easy, because I can put there still quite freely anything, a color, a shape, light and shadow. And so soon a picture is created, which can look good for a while, so light and novel. But something like that lasts a day at most, then time seems to gnaw away at the picture and I start to change, to destroy, to apply many layers and let them burst and let them emerge anew and so on until it is finished. I call them "traces of time."
The main feature is on the painterly capture of ambiguous light of the sunset with all its color variations and on the soothing vastness of the landscape. I try to capture the play of light and shadow and thus the mood.
Pop art I have already painted in youth. Here I love highly simplified representation with thick, black borders and bright colors. This striking, flat painting style on my light objects I set an exaggerated, characteristic and expressive colorfulness in "orange pink blue" as a design element against. In addition, I use the LED technology to illuminate these POP-ART objects homogeneously.
I paint pop-art portraits on paper-thin, fragile leaf skeletons, with many layers of paint. At first, the paint flows through the sieve structure of the leaf veins and only after long dabbing application, a portrait gradually emerges with a lot of patience. In the process, I experiment with the fragility of the natural material and emphasize the transience of the painted persons. I try to remove the boundaries between the elements in the photos of the leaf skeletons. Here I play with reality and try to transform it with your own rules.